G l i t c h y G o b l i n !

It was a desperate struggle to bring you this review, but I’m back once more to tell you about No More Heroes 2:  Desperate Struggle.  Yeah, I know that was corny.  It’s time once again to climb up the UAA ranks and become the #1 ranked assassin.  Just as in the first game, it’s full of ridiculous violence and innuendo.  Unfortunately, however, I have more bad things to say than good.

PROS:

There are more bosses. If you loved the first crazy cast of assassins, then you’ll probably like these.  There’s at least 50% more than the first time around.

The mostly boring minigames have been exchanged for mostly awesome, retro, NES-style minigames. This applies to both the job minigames and the gym training minigames.  They’re fun to play at least more times than the minigames in No More Heroes.  They still aren’t endlessly fun, however.

Most of the charm’s still there. Travis is still quirky, and there’s perhaps more raunchiness than ever.

There’s more to do in the apartment. However barely, there are added games that you can play while not out on the town.  There’s a retro top-down shooter in the form of the anime “Bizarro Jerry,” the made-up show in the game.  It has multiple difficulties and characters to choose from.  Also, your cat, Jeane, has become fat and needs exercising.  You get to play minigames to slim it up.

You don’t have to drive around the city anymore. By choosing from a list, you pick where you want to go in the town.  The horribly detailed city and terribly controlled motorcycle (err, Vespa) don’t have to be dealt with.

CONS:

It feels… different. The first game mostly changed up what you did during missions.  There was a side-view bus, a spontaneous shooter minigame, a long hallway, an explosive beach, motorcycle battles, and a “Lost Woods”-type forest.  The boss fights are still varied, but as for the rest; it’s basically the same thing over and over.  The phone conversations on the Wii-mote are gone.  Some things you do during missions don’t even make sense.  This stems from there being no warning to what’s going on or who you’re going to be battling, apart from one or two bosses.  Also, with a control scheme that was already clunky enough, there should never be jumping.  Ever.  Especially not during a boss battle.  Especially not during a boss battle where, if he hits you, you lose some of your money.

Regardless of starting out at Rank #51, there aren’t 50 bosses. It would have probably been one of my favorite games ever, if that had been the case.  Anyways, there are some understandable skips in rank and some stupid ones.  One even contradicts itself.

I only used my starting sword. This disappointed me so much.  By the time I played every minigame and revenge mission, I only had like 200,000whatevers.  Revenge missions only give like 1000whatevers.  Whatever.  By the time I played more things over and over I didn’t even care to use the second sword.  The 300,000whatevers one.  The MkIII doesn’t count.

The ending is incomparable to the first’s. It’s so anti-climactic.  Plus, the cutscene after the final boss reveals a big time gap where we have no idea what happened.

The series is two games long. Oh, I hope they do what I want them to when they port over to the 360 or wherever.  If they combined the games together, it would be magical.  Start the game, rise through the ranks and get to #1, stuff goes down, final boss time, Travis disappears, have some sort of “5 years later” or something come up on the screen and then accidentally the whole second game, too.  There would be barely any updating to get the first caught up to the second.  Then, there would be 25 glorious bosses, with the NES minigames from the second one and the phone convos from the first.  Also, the 360 would make the graphics look halfway decent.

It would be so awesome if the above happened.  Anyway, if you loved the first one and are itchin’ for more killin’, then you might like this.  If the Wii is the only console you have, this is a must buy.  If you have a 360, then let’s cross our fingers.  Next time will be the laboriously studied review of Pokémon HeartGold/SoulSilver, in which I’ll probably have over 100 hours put in.  I’m at like 69 now, I think.

I’ve crawled back from the jungle to bring you this week’s review of Uncharted 2: Among Thieves.  The PS3 exclusive Uncharted series is a step-up in the third-person adventure style that Tomb Raider started.  The first game evolved the genre so much, ripe with great storytelling and phenomenal platforming control, that it’s unfortunate in some ways the sequel takes a step back.

PROS:

It’s still great storytelling. I believe the story is even better this time.  There’s still superb voice acting and great, lovable characters.  Nathan Drake is still hilarious.

It looks stunning. The game was released toward the end of last year, and it is only second best behind the recent God of War III in terms of graphics.  The detail in the environments is staggering to say the least.

The train sequence is epic. Stretching across a couple of chapters, the sequence on the train is probably one of my favorite levels among the plethora of games that I’ve played in my life.  The environment whizzing by and gradually changing just adds to it.

Finally, the final boss is finally fun, finally. It’s no telling how long it has been since I’ve been impressed with a final boss fight.  Most games are either cliché, boring, out-of-place, or non-existent in the department of having a final boss fight.  The fight feels frantic and fast-paced even though you’re basically doing the same thing over and over.

If you liked the first one, you’ll probably want to buy this one as well. It’s worth the money if you like the series.  With the added multiplayer, you’ll play this one more than the first.

CONS:

I died way too much. OK, I put the game on easy so that I could kick back and enjoy the story without the hassle of trying too hard.  Instead I still died constantly from grenades landing perfectly on my shoulder, enemies spawning behind me, snipers one-hit killing me, and the controls throwing me off ledges when I didn’t want to do any such thing.  It really put me in a bad mood for the next couple of days.

In addition to the above, some gunfights were way too long. It was on easy, so there shouldn’t have been more and more enemies constantly streaming in for 10-20 minutes in some places.  This really threw off the flow of the action.

The level design doesn’t flow as well. Both games have excellent level design, but unlike the first game this one had me constantly wondering where to go next.  Sometimes I would have to wait for a hint because I would search the place and still not be able to progress.  I loved how in the first game I would automatically survey my surroundings and say to myself, “Ah, I could climb up over there.”  Not in this one.

The beginning of the game has you stealthin’ about. Why must games include stealth missions?  Even though this one wasn’t too hard, it still wasn’t a very good way to start out a game.  I guess it did make me learn hand-to-hand combat, a feature I barely used in the first game.

The multiplayer isn’t anything to write home about. It’s basically a Gears of War rip-off with the match recording system of Halo 3.  Gears of War plays better and Halo 3 has more options of the recording.  Anyway, it sports basic deathmatch, capture the flag, and other types.  It ranks you up as you do more stuff, as the trend is with today’s multiplayer games.

Anyway, I was hoping for a better experience than what I received, especially when it was IGN’s Game of the Year 2009.  Assassin’s Creed II still wins in my book.  Next week I’ll have a No More Heroes 2: Desperate Struggle review.

I’m back again, and this time with great vengeance.  Epic vengeance.  Glorious vengeance.  Finally, the day has arrived for the epic conclusion in the God of War series, God of War III.  If you haven’t played this series before, read the God of War Collection review and buy that game and then this one.  If you think it’s bad, shut up and continue playing anyway.  If you finish this spectacular conclusion and still don’t like it, go to an exposed corner of a brick wall and shove your face into it over and over.  I couldn’t care less what you think.  For those of us who deserve to live:  Play this game.  Now.  It doesn’t matter what else you’re playing; it can wait.

PROS:

Teh GRAFICKS. The best implementation of computerized video technology so far in the known video game world is in this game.  There are only 4 loading screens:  the one before the opening cinematic, the one you get if you die and have to restart at the last checkpoint (duh, the game wasn’t expecting you to FAIL AT BEING EPIC), one in a hallway toward the end, and one if you load your game.  But you won’t have that one because I expect you to play it through without stopping or blinking.

You kill things. Lots of things.  And if you have been following along in the story then when you kill these people it will be the most satisfying thing ever.

Switch weapons on the fly! L1 + X equals go to the next weapon and continue the brutality you are currently dishing out.

It clears up things that I had a problem with, mythology-wise.  They explain a lot of things that I was previously confused about.  You know that thing you said, “Well, that’s stupid and anticlimactic” about in the first game?  Explained.  The plot also refers back to many things Kratos did or plot points that were created back in the first two games.  It’s a smorgasbord of God of War trivia.

Like the first two in the series, it has lots of documentaries. The main making-of video shows a lot of the 2 and a half process of making the game.  Stan Lee makes an appearance!

CONS:

Some players might not like the ending. If you happen to be a fan of bad storytelling, or hate good things in general, then you will probably not like the ending.  Go find a cliff and throw your mother off of it.  Then, after you watch her death, jump over as well and try to hit her corpse for extra points.  The ending is poetic and makes sense in every sense of the word.

Challenge of Olympus seems easier. The extra mode that has been featured in every game (Challenge of ____) is in this one as well.  I beat 6 of the 7 challenges without too much retrying in about 30 minutes.  There is a Combat Arena, but it is unlocked after you beat all 7.  I don’t know what’s in that (maybe more, harder challenges, lol), but the game’s only been out for 5 days.

On one boss I died a lot. It’s a massive series of checkpoints.  At almost every point I died because I wasn’t quick enough or didn’t know what to do.  It’s ok, because when you go through that section on a second playthrough you’ll get every one of them and it’s amazing.

There’s no spear-a-majig. That awesome lance weapon from the second game.  I wish it was in this one.  Oh, well.

My main only real problem is: At one point I glitched this game so hard that I hard to start back like 2 hours previous in the game.  If Goblin had been watching he would’ve been proud of me.  Always keep more than one save of your game, in case you hit the same glitch I did.  If after a boss’s death cutscene you are at a previous (like 10 minutes ago) area’s portal and then after you go through that portal it takes you to a different area, don’t save.  After the boss’s death you were supposed to be dropped into a hallway.  I can’t find anyone online who has experienced the same glitch.  Without giving any spoilers, it would be the cutscene that triggers after you let go of L2 and R2 at the same time, about 5 or 6 hours in.

Well, the gist is that you should play this on a 1080i HDTV with really loud sound, in the dark and in one sitting.  Then cry out of either happiness or because you’re currently mutilating your face against a brick wall.  In the end, there will only be chaos…

For the first time, this week’s review is of more than one game!  God of War Collection is Sony’s way of getting everyone hyped for today’s (March 16, 2010) release of God of War III.  I’ll have that review completed next week.  God of War Collection is a port of the first two games of the series, originally only on the PS2.  Now they have been re-mastered in High Definition to base all three games on one system.

PROS:

Hopefully this is a trend. Having the first two games on a current system is something that hopefully Sony and other companies start doing more often.  I fully expect Sony to reveal at E3 2010 that a Team ICO Collection of ICO and Shadow of the Colossus will be released shortly before the third game, The Last Guardian.  The convenience of not having to dust off your PS2 is awesome, and that’s all most people have, as most PS3s do not have backwards compatibility.

It has some visual upgrades. It wasn’t recoded to be in true HD, but the scaling does improve both games quite a bit, more so in the second one than the first.  The frame-rate is now at a perfect 60fps (frames per second), and there is none of the screen tearing that was pretty noticeable in both games on the PS2.  The frame-rate actually does make a noticeable difference in the fluidity of the combat.

It’s worth the money. If you love the God of War series, then to have both 1 and 2 re-mastered in HD on a current platform is definitely worth the budget price of $40.  Both games are about 10 hours the first times through, and there are hours of documentary videos for both games.

There are two sets of trophies, a set for each game.  I’m not a trophy whore (achievements ftw), but most of them on both are easy to collect.  This is double the fun for a gamer, especially if the player hasn’t played either game before.

If you are new to these and happen to love them, then you’ll get a lot of re-playability out of these games.  I’ve personally played God of War 6 times and God of War II 4 times now, with a count added to each because of Collection.  It’s only just now starting to get old to me.

CONS:

No Chains of Olympus. If would’ve taken a lot of work to put the PSP’s God of War:  Chains of Olympus onto the PS3, but it would’ve been the cherry on the God of War Collection sundae.

No extra content. There are a lot of documentary videos, but they’re what came with the games originally.

Cutscenes and documentaries are not in HD. In-game cutscenes look pretty muddy, and the documentaries are less than DVD quality or less.  The Collection is meant to be played on a large HDTV, and these videos don’t stand the test of time.

And speaking of standing the test of time: even with its slight upgrade to HD, the first game doesn’t look near as good as it did when you first played it on the PS2. Or if you’re playing it for the first time, it’ll look pretty old.

Widescreen stretches the HUD. For those that know me, one of my worst pet peeves is incorrect aspect ratios.  It bothers me to no end.  The sides of the gameplay’s view are just extended to show more on the screen at once, but the HUD (heads-up display) is instead stretched wider.  All circular things are now ovals, and so on.  It personally gets to me.

There you have it.  If you know what’s good for you, you’ll get this and God of War III, play them all through in one continuous sitting, and then die happy while shouting, “Ares!”

Yo! I’m back this week to brave the ocean city of Rapture again in Bioshock 2.  As with the first game, the sequel is a FPS that plays more like an adventure game than anything else.  The premise is that a man named Andrew Ryan, tired of governments and social norms, built Rapture to create a society where anyone can do what they want.  Gene splicing was heavily researched and all citizens wanted to look and feel better by using Plasmids (magic like lightning, fire, etc.) and gene tonics, which actually alter your genes to make you different.  Anyone who hasn’t played the first one should… now.  Glitchy Goblin himself is actually playing it beside me while I watch it.

PROS:

It’s good to be back. Even though the sequel is made by a different studio, an aspect that had everyone wary about the idea, they managed to capture the feeling of the unique underwater environments of the first game.  There are actual in-the-water underwater sections added to the mix, and with this it allows you to explore sections of Rapture that were out of reach the first time around.  Also, I recommend playing Bioshock 2 as it was meant to be played:  on the hardest difficulty setting.  It isn’t overly difficult, even though you’ll feel underpowered at the beginning, Vita-chambers respawn you infinitely if you die, and you’ll appreciate the strategy it takes a whole lot more.  Believe me.

The maturity is back. The mature story, ripe with controversial topics and vulgarity, makes a return as well.  Some citizens are sadistic (as told through their audio diaries), and some sections still have that horror-esque “you’re not safe here” ambience to them.  You once walk into a room with 3 baby cribs and about 15 televisions hovering above the cribs as play subliminal messages on them.

As with every other sequel I’ve reviewed, there are many improvements.  There are more weapons, plasmids, and enemy types.  Each plasmid now actually “evolves” when you upgrade it.  Like you can start out with Lightning, but eventually you’ll have a Lightning Storm.  This is greatly improved, since in the first game they only got stronger or had a longer duration as you upgraded them.  The new hacking minigame is also much shorter and therefore less annoying.

There is an ending. Bioshock had one of the worst endings I’ve ever seen.  It was basically a screenshot that depended on whether you were good or bad during the game, and it took it to an extreme.  Apparently, if you kill little girls than you would eventually like to rule the entire world through its destruction.  Plus, immediately before that, there was a sucky final boss.  This has none of these, and it makes sense.

It has a pretty entertaining multiplayer. For a sense of the multiplayer, go read my Modern Warfare 2 review.  They basically copied it, except it doesn’t take near as long to complete.  The more XP you get, the more stuff you unlock, and it also has challenges to complete.  Excuse me, I meant “trials”.  It doesn’t feel tacked on, and they try to give it a story.  It makes it a kind of prequel to everything.  The gameplay does not feel like Modern Warfare 2 at all, though.  It feels like Team Fortress 2.

CONS:

There are occasional glitches. Sometimes my hacked security bots would get stuck in midair or something similar.  These are frequent happenings, just minor annoyances.

Sometimes you don’t feel like you’re playing a Big Daddy. This is mostly toward the underpowered beginning, but when Splicers can hit me with a wrench and take out a quarter of my health… I just don’t remember ever being able to melee a Big Daddy four times and kill it, you know?

Your drill has fuel. As a Big Daddy, you have a drill arm.  I don’t ever see other Big Daddies have to refuel, so why should I?

OK, so right now Goblin is trying to tick me off by meleeing everything while spouting puns and making Chewbacca noises.  Back to the review.

It’s shorter than the first game. Bioshock 1 was pretty lengthy for an FPS. This one is not quite as long, but it’s close to the same length.  I actually spent more time playing this one because I explored more and was more careful.

It still has open areas, but it’s more linear in a way. Unlike the first game, once you leave an area you cannot revisit it.  They do warn you of this, however, so don’t worry that it suddenly takes you to another place against your will.  The areas themselves still feel open ended like in the first game.

Well, Goblin has many more cons, but who listens to that guy?  I’ve been Vegieza, and remember:  every word I speak, you already know.

Bah. I listen to me, and I’m all that matters. That being said, Bioshock is awesome, and a big thank you to Vegieza both for letting me play the game and for the sweet review. Sorry it’s late, yall.

It’s Vegieza, back once more to bring you a review from what I believe Assassin’s Creed II knocked off its Game of 2009 pedestal:  Call of Duty:  Modern Warfare 2.  It’s the sequel to the 4^th game, but the game before this one was Call of Duty:  World at War.  But World at War is not Call of Duty 5.  And Modern Warfare 2 is not 5 or 6.  And you’re just supposed to call it Modern Warfare 2.  And they dropped the “4” from “Call of Duty 4”.  Confused yet?

Before I get to the Pros and Cons, I have to say that I had quite a hard time coming up with cons for this game.  The basics are that if you’re a fan of First Person Shooters, this is a must buy as it is one of the most exhilarating, depthful FPSs ever conceived.  If you’re looking for an action game, at least borrow this from someone.  If you don’t like FPSs at all, then you probably should find something else.

Pros:

It’s Action-Packed. Rarely will you see so many different action sequences rolled up into one campaign as with this.  It’s like they had a list of cool things they thought up and then squeezed them all in.  Basically, it’s an entire season of 24 in one game, but with most of the dialogue cut out.  When you put in the disc it even warns you on the screen that some levels are disturbing, and if you press a certain button those sections can be skipped over.  I actually gasped out loud at one point in the game.  At other points you will just be in awe at what’s going on around you.  If you’re going to play this, you really shouldn’t look anything up on Youtube, wikias, or anything to not spoil any of the like 50 surprises.

By the way, is Vladmir Makarov, a Russian terrorist who terrorizes an airport, voiced by one of the Russian terrorists who hold up an airport from season 5 of 24?  Why, yes.  Is the “Overlord” who explains all of my mission objectives mid-mission my favorite character from 24, Aaron Pierce, head of the Secret Service?  Why, yes.  Yes it is.  What a coincidence.

You’ll be playing multiplayer forever. Call of Duty 4:  Modern Warfare’s multiplayer overtook Halo 3 as the most played game of Xbox Live.  They took everything that made that multiplayer amazing and added more.  For people who don’t know about the multiplayer, you can create custom classes with the different guns, attachments, grenades, killstreaks, the new deathstreaks, and more.  This lets you really customize the multiplayer to the way you want it to be, as you can switch between your custom classes mid-match.  Add to this the fact that for every single gun, attachment, and more there are challenges to unlock.  You constantly get more XP and rank up all the time, and the more you rank up the more you unlock.  It makes it feel like you’re actually being continuously rewarded for playing, unlike in Halo 3.  It even keeps track of the percentage complete your multiplayer is, and it goes up to 1000%.  You can play for months straight (24 hours a day) and still not have everything.  I’m still not even doing it justice as I’ve left out even more things you can do.

Special-Ops is great. Spec-Ops is the co-op mission mode of MW2.  There are tons of really diverse and fun missions to do, and all of it is tracked just like in multiplayer.  As you complete more you unlock more, and some of the most fun times in this game has been playing this mode with a buddy.  Imagine a friend runs under cover of night across fields and through barns while you bombard all of the enemies coming toward him or her with an AC-130.  It’s glorious.

Grenades aren’t spammed constantly. This was World at War’s biggest downfall, and what made it the hardest Call of Duty game.  You get behind cover so you don’t get shot, right?  Well, you duck behind cover and 12 GRENADES LAND ON YOUR POSITION AT ONCE.  This doesn’t happen in MW2.

Graphics are just…  wow. Play this on a big screen TV in 1080i, and then be amazed.  It’s really, really realistic.

Cons:

You have a disadvantage when starting multiplayer. You get the crappiest guns and can’t use attachments and the like for about the first 5-10 levels or multiplayer.  I had such bad Kill/Death Ratios (K-Ds) toward the beginning.  The point is to stick with it, and don’t get discouraged.  It gets better.

Some choke points in the campaign are tricky. If you’re playing the campaign on Veteran, the hardest difficulty and what Call of Duty should always be played on, some (but very few) sections are really difficult.  One section of the white-water rafting comes to mind. If you get in a place like this (not the rafting, but in shooting sections), remember sometimes you can push forward and get another checkpoint.

The story isn’t as good as it could’ve been. It’s still gripping, mind you, but some events are really far-fetched.  Like I said, they had a list of cool things and then wrote the story around it.

Achievements/Trophies are hard for less-skilled players. If you aren’t that great at FPSs, then you might not be able to get the majority of the achievements/trophies, which have to be done on Veteran.  This Veteran isn’t as hard as 2, 4, or World at War, though, so if you’ve beat them then you probably can do this one.

There is no Jack Bauer. I know, I’ve probably mentioned 24 too many times by now, but Kiefer Sutherland (Jack Bauer, the main character of 24) was the voice of your commander in World at War.  He should’ve been in this one, but he probably is under contract with the other Call of Duty company (it’s a long story, look it up yourself).

Well, there you have it.  Those first two pros were pretty long, but I still didn’t even say all that I wanted to.  Please look forward to next week’s review of Mass Effect 2, a game that I believe has achieved a pinnacle of gaming never before witnessed.  This has been Vegieza, and remember:  No Russian.

Oy!  It’s Vegieza coming back straight from seeing what June is like on Jupiter and Mars to bring you a review of Bayonetta.  From the director of Devil May Cry, this game is even more ridiculous.  Just listen to this:  The two clans of light and dark, The Lumen Sages and Umbra Witches, had a schism and disappeared from the Earth after Europe’s Witch Hunts.  You play a resurrected witch named Bayonetta. Her clothing is made of hair, she wields a gun on each hand and each foot,  and battles upside-down crotch baby-faced dragon armed Angels.  Or a tube-fingered thing.  Or the 12th Colossus from Shadow of the Colossus.  Or spear-wielding tribal seagulls.  Or God.  All of those things.  While riding a missile.

Pros:

Ridiculously Over-the-Top At All Times. All of the aforementioned Catholic stuff.  This game probably has won an award for having half of the top 20 most outlandish moments in gaming.  I don’t want to tell you anymore.  You just have to play it to understand.

It has huge bosses. Do you know the final Colossus in Shadow of the Colossus (one of the best games of all time)?  Every boss is 10 times bigger than that.  The boss fights are so big that they are their own level, and they’ll take like 10 minutes or more to beat.  Destroying one just feels so monumental, yet so easy at the same time.

There are references to other video games… ALL THE TIME. You have to be very attentive to catch the references, though.  Being a Capcom game, most of the references to other games are other Capcom games, but there are exceptions.  References include, but are not limited to:  Resident Evil, Okami, God Hand, Viewtiful Joe, Devil May Cry (of course)……… God of War, Halo, Metroid, and SATURDAY NIGHT LIVE.

It has great replayability. It is a relatively difficult game, but with practice you become an unstoppable force.  And there are multiple difficulties beyond that.  There are challenge rooms hidden all over the place, as well as journal entries, tombs, records (to get new weapons), and 50 birds to collect across the difficulties.  There are even making-of videos, 3-D model and artwork galleries, and tons of accessories, weapons, outfits, and extra abilities.  Each weapon has it’s own set of combos, and you can wear a different weapon for each hand and foot to make tons of combinations and you also have the ability to pick up enemies’ weapons and use them until they break.  There are lost chapters and bosses, special ways to get hidden weapons, medals for every chapter, those achievement things, and unlockable characters to play as.  It’s a very customizable hack-and-slash with lots of things to collect.

Gameplay is Vary Veried… err, Very Varied. It’s not just room after room of: “Oh, now I have to fight those same enemies, but there’s a couple more of them and they’re slightly more powerful.”  They change it up a lot.  The game forces you to battle differently sometimes.  Sometimes it’s just hack-and-slash, but then sometimes there’s a puzzle or some strategy.  Sometimes you’re playing a minigame the entire level.  Sometimes you’re freezing time on the top of a currently-crashing-into-the-interstate cargo plane so that you can put some sort of winged Mayan albatross into a guillotine while sucking on a lollipop.  Or whatever they make you do.  At least you’re wearing magical ice skates while you do it.

Cons:

There is a steep difficulty curve. Except for Very Easy and Easy, which I’ll get to in a sec.  Until you get the hang of dodging like every second and know when an enemy is going to attack you even if it’s off-screen, you will die a lot.  And your chapter score will be crappy.  You don’t want that, as they give you the Joe Pesci award.  Also, the only mini-boss is a cross between Henry from No More Heroes and Sephiroth from Kingdom Hearts.  And you fight this person a lot more than once.

It may be too Japanese for some. This game is so Japanese it’s… I really need to not use the word “ridiculous” anymore.  If it’s not blaring “Fly Me to the Moon” in the background, it’s something you’d hear in every j-rpg or anything from over there.  The amount of camp and style it displays is also very anime-esque.  For every person I know that doesn’t like this game, it was for this reason mainly.  On top of that, the Easy and Very Easy difficulty levels are apparently made so you can play the game with only one hand.  you just have to push two of the buttons and the game does all of the combos for you.  Well, I guess at least they’re thinking about the tough lives one-handed people lead…

Mostly Text-told story. In order to not be utterly confused all of the time, you must also read all of the journals and stuff that you collect.  This shouldn’t be necessary.  They should provide enough story in the cutscenes in order for the player to get it.  I knew what was going on because I read the journals.

The Achievements/Trophies are gonna take a while. The game creates this thing called the “101 Umbran Tears of Blood” (a pretty neat idea), which is basically all of the (I think) 51 birds you collect and the 50 achievements combined into one total.  It’s actually incorporated into the story that all of these tears were intentionally scattered around.  Anyways, you have to beat this game on hard, an even higher difficulty than hard, and collect tons of things in the game to get all of the achievements/trophies.  It would take multiple, multiple play-throughs.

The PS3 Version sucks.  Don’t get it. Before the recent patch the PS3 version of this game got stuck on the loading screen.  It did it when you go to the pause menu, when you unpause, when you pause during a cutscene (and unpause), and when you do anything or think about anything.  We’re talking a good 5 second pause.  Still, the framerate constantly drops and there is a lot of screen tearing, even during cutscenes.  These are not good things.

Well, that’s about it.  This has been Vegieza.  I have a fever, and the only cure is killing more Angels.